Saturday, September 6, 2008

I went back to the boiler room


Joe Lehman
8/10/08

I must confess that when it comes to poetry I can truly care less about certain formality: poetic form, rhyme or meter. As such I've paid them little regard as I've whipped this piece up during the last hours of this, my day off. That I am able to bring myself to write again after such a long absence is what matters to me right now. I regard this as something of an icebreaker.





I went back to the boiler room

when you invited me in

and then stayed behind after you'd gone

and that's become my sin


I know you always needed me

but could never touch my skin

yet I can't leave the boiler room

The fight that I can't win


I can't handle heartbreak

I told you time and again

I'm just too weak to hold out

so I stay till who knows when


I just stand still in the boiler room

I can't move forward or back, but then

I do feel some protection

in that no light will touch my skin


My comfort is that you still need me

It lasts till that one point where and when

I too start to need you, love

and you pull back again


So I know you can't truly leave me

though you never touch my skin

we just keep falling and then we keep falling

and it remains that way time and again


Now I can be where I'm protected

where the light won't touch my skin

I'll stay behind in the boiler room

and can wash away my sin


I went back to the boiler room

where nothing ends and nothing begins

Friday, December 7, 2007




Every post with the label 'Quagmire' in the title is an excerpt from a story that has been bouncing around my head for the past five years, now. In my hectic and unpredictable college days, it became harder and harder to find the needed free time to transfer this story from my imagination into words. Unfortunately, due to my unfortunate emotional circumstances of the past several months, I have been unable to contribute more, for the longest time. I continue in my Herculean effort to overcome this severe impediment to my writing ability, and ask for people's thoughts and prayers in doing so.
For me, the two hardest parts of writing fiction are creating dialogue (narrative being my strong spot) and telling the story in proper chronological sequence. Every so often I've managed to record key scenes from different times in the story. Some of which I've written in Prose form. Others in Drama form. And others in Narrative form. The following excerpts represent each of these forms. The large body of the story is still unwritten. I invite potential readers to discern what they can from these bits and pieces.

Quagmire pt. 4. 6 December 2006. Getting Enigmatic


6 December 2006
Getting Enigmatic
Act I scene i


The Hayden clan is shacked up inside a house in Beverly, MA, rented by the World Socialist League, organization-cum-communal sect to which Joe Hayden, 17, belongs. Lodgings are temporary as Joe is constantly moving around Boston and surrounding areas in order to avoid Police surveillance and harassment of his community activism work. It is afternoon/early evening, roughly 4:45-5:15, mid-to-late February, the year is 2000. The weather is cold with gusty wind, and sky is pitch black, outside.
Interior: Danny’s bedroom. Floor is cluttered with books, toys and some radical literature. Danny is aged 9, Joe’s half-brother. He is an introverted child, by nature, with sandy light brown hair in a bowl cut, slight freckles on his upper cheekbones and a shy, but sometimes goofy smile. Nicole is a middle class girl, interested in environmental issues and studying marine biology. She became estranged from her very conservative parents upon meeting Joe, and has since run away to join the League. She is blond-haired, very attractively, built. Lately, she has taken to wearing bandanas around her head.
At this time, Danny is horsing around on the floor with Nicole, 16, Joe’s girlfriend. Joe, Danny and their cousins, Molly and Jonathan, both 8 were all born and raised in the League, which was founded in part by Joe and Danny’s late father, a Vietnam Veteran and former Meatpackers Union organizer. All are orphans. It has not been often that the kids live together with, as they are mostly in the care of the sect’s Connecticut compound and Joe is used to shacking up with friends and different members of the group.
The two are passing the time, roughhousing and whatnot, as Nicole adores her boyfriend’s little brother.
Danny stands, lurches, arms outstretched, toward Nicole, who was lying on the floor ready for him to pounce.



Danny: You are getting very enigmatic.

Nicole: What?

Danny rolls the words off his tongue very slowly, allowing the words to linger, pronouncing the last one with the most prominence.

Danny:
Youuu arrre getting ve-RRY enn-ig-MAT-ic.

Nicole: What do you mean?

Danny: I’m making you get very enigmatic. Like, ‘you are getting very sleepy.’

Nicole: Do you know what ‘enigmatic’ means?

Danny:
It means ‘mysterious.’

Danny pounces. Nicole meets his advance with her own arms outstretched in grabbing the active boy’s hands, valiantly blocking him as he makes his best effort to pin her down. Danny contorts his face into a bulldog expression, struggling to get the better of the older girl. It is not more than two seconds later that Nicole wrestles him to the floor, straddling him, pinning him down with her legs. Danny grunts and giggles as his half-heartedly squirms to free himself.

Nicole: Why would you want to make me mysterious?

Danny:
I want to make everything mysterious. In my world everything’s mysterious.

Nicole sits up and nudges Danny off her. Danny turns away, looks downward. Expression on his face becomes pensive.


Nicole:
Hey, kiddo, are you doing all right?

Danny: Yeah.

Nicole: You sure? ’Cause I just get worried is all.

Danny: I’m fine. Why are you always asking that? I was having fun. Can’t we just keep having fun?

Nicole:
Ok, ok. Sorry, let’s just keep on having fun. All right, I’ve got an idea. How about we read some Calvin and Hobbes books?

Danny: Nah, I want to work on drawing my comic characters. My new guy, ‘Captain Zarod’ is gonna be pretty cool.

Nicole: ‘Zarod?’ What’s that mean?

Danny: Nothing, it’s just a name I made up.

Nicole: Want me to stay and help you come up with stuff?

Danny: That’s okay. Joe’s promised he’d help me out with it later. We’re making the guy so that he’s someone like Robin Hood or Zorro. That way he won’t be all imperialist and stuff like most superheroes.

Nicole: Joe says superheroes are imperialist?

Danny: They’re always out to make the whole world like Fascist Amerikka. They’re “ALL-E-GOR-REES to PAT-ern-alist Amerikkan PRE-TEN-SHUNS.

Nicole: Allegories to paternalist pretensions. That’s what Joe says?

Danny: Yeah.

Nicole:
Wow, you know Danny, I think that’s the first time I’ve ever heard you talk about anything political.

Danny’s attention is wandering. He looks all around the room and down at the floor. He doesn’t make eye contact. Nicole keeps her words focused straight at his face as she is dedicated to boosting his self-confidence. She keeps talking, despite his obvious waning interest in conversation.


It’s just that I’m aware that you kids’re taught these things by the League. I went to public school. I’m not used to “alternative schooling.” I still got a lot to learn about that. I mean—don’t forget, you know I haven’t had the same kind of education your family has. It hasn’t even been two years that I’ve been with Joe, and Joe’s been trying to show me the way to being a better socialist.

Danny fiddles around with the Legos on the floor.


Hey, Dan, you there? Hello?

Danny: I hear you.

Nicole: Good, just checking. I mean, I hear your cousins repeating every speech Joe makes all the time, but I’ve never been sure you were into all of it.

Danny: Into what?

Nicole: Politics, the revolution. You know.

Danny:
I don’t know what you mean, “into?”

Nicole: I mean, I didn’t know you were interested. Usually I see you with your Legos and fantasy comics.

Danny:
They’re bombing all over Yugoslavia, and those Cuban brown-shirts in Miami want to hold Elian Gonzales prisoner from his father. And the Boston pigs are wailing on Joe and making us move and hide all the time. It’s like Joe says. We gotta stick together for if they come for us.

Nicole: Danny, I feel for exactly what you mean. We were all scared crazy, when those cops jumped Joe outside the rec. center and arrested him. I know you weren’t with us at the time, but I’m sure Molly and Jon told you all about it and they were terrified.

Danny looks up at her, then down again as if, silently acknowledging what she is saying.

But the thing is, I just wonder. Do you ever feel like maybe you worry a little bit too much about what Joe tells you to worry about, when you should leave that worrying up to us and keep on just, I don’t know, doing what you do and have fun?

Danny looks perplexed that Nicole would ask such a question.


Danny: No! I always worry about what Joe tells me to. Why do you say that?

Nicole:
I just…it’s just that…oh never mind.

Danny: I listen to Joe, ’cause Joe’s the best big brother ever and I love him and he loves me and I owe him so much for how he takes care of me and my cousins! And Joe’s always so sad all the time, so when I make him happy, I’m happy.

Nicole smiles sweetly, touched by Danny’s heartfelt dedication.

Nicole: I know…I’m sorry I ever brought it up. Let’s not talk about that anymore.
Oh, well…Hey, I know that in case you really want to impress Joe, you might want to change the guy’s name to ‘Field Marshall Zarod.’ Joe’d get a kick out of that. It sounds more like a revolutionary.

Danny:
Really? Ok, I guess I’ll do that.

Nicole: Well you don’t have to change his name. It was just a suggestion. You don’t have to do it because I suggested it, you know?

Danny: No, it’s okay. I like it. It’ll make Joe happy.

Nicole sighs, gets up and walks toward the door.

Nicole: Ok, I guess I’ll leave you alone then.

Danny retrieves his sketchpad and colored pencils from off the floor next to his bed. Nicole hesitates before exiting.


Nicole: Ok, I’ll let you know when everybody’s home. Then we’ll order pizza. If you want something, you can just call.

Danny: Ok.

Nicole takes a step out the door. Danny calls her before she can exit.

Danny: Nicole?

Nicole: Yeah, hon?

Danny: I’m really glad that you’re here now. I really like it when you stay with us.

Nicole:
I’m glad too. Have a fun sketch time.

Nicole turns once more.


Danny:
Nicole?

Nicole:
Yeah?

Danny:
Power to the people.

Nicole: Power to the people.

Nicole quietly exits, shuts the door behind her. Danny, left on stage, is now completely engrossed in his drawing. Stage is quiet, we focus on Danny drawing and humming for several moments. Stage goes dark.



End of Scene

Joe Lehman 1 May 2003 Quagmire Excerpt 2


Joe Lehman
1 May 2003
Quagmire Excerpt 2



He never did like guns. That was a given. As a younger boy during the schizophrenic periods he spent in rural Maine, he had gladly gone hunting with his “uncles”. He recognized it as a rite of passage and he was always eager to please Brother Ray and Comrades Freddy and Tony. Like any little boy he could never resist the satisfaction of seeing the grown-ups reward him with a smile. Especially since there was never a father there to do that job for him exclusively. He thought back to the rabbit. He never was able to pull the trigger up close. It didn’t matter that he should have, he knew that now. It was already dying, lying there choking its death gurgle, which was surprising, considering by all logic a creature of its size should have been killed instantly. He stood over the thing point blank, his petite quivering nine-year-old hands clutching the rifles trigger. He could feel the breath of the men behind him, hovering over him, gently encouraging him. Of course, he knew that usually meant “be a man” in their minds. He just stood there with his hands shaking, the rifle shaking along with it as a cool spine-tingling gust of wind swept over him. The poor creature’s eyes just begging him, pleading with him, reading nothing but confusion. It did not know what was happening, what it meant that it had been shot, or why. It only took a few seconds for its gurgled breathing to slow down and its heart to stop beating. To him, it felt like slow motion. When it was dead, its eyes never closed, they just continued to stare up at him, only now completely empty. Of course, it was a stupid thing to do. Looking back he probably would have taken the second shot. It seemed to be the more humane thing to do. But then on the other hand, he didn’t see that as making sense. This was a rabbit, not a deer. Another shot would have splattered its guts across the field rendering virtually impossible to clean up and eat. He got the feeling they knew that, and had just wanted him to take the messy second shot for the sake of being manly.

He had always told himself he had always felt superior in his militant prowess to need to carry a gun. In his pride he had felt that guns were somehow beneath him, although he did vocally advocate the right for his people to carry them, as part of his firm belief in the self-determination of poor people. Still he had always felt an individualistic pride at being able to handle himself without the need of a gun, (which was surprising considering his known feelings toward individualism). After all, he had taken care of his body very well over the last few years. The martial arts talent had made him slim and agile, bringing him an inner confidence and peace, a sense of gracefulness. And of course he had used his martial arts moves in many a confrontation over the past few months alone, that some had begun to question the nonviolent stance he had espoused. Of course, he was no fool, he knew there was no point in any inflated pride over his “expert” moves. He remembered the time the previous January when he, as the papers described, “kicked the gun out of the hand of the cop who had surprised him on the street.” That had certainly gone down in lore. The way it actually went down was, he had been strolling one afternoon with his girlfriend, his little brother, and little cousins. A passing couple had asked called out to them for directions, before they, and two other pigs pulled out guns and surprised him. The “kick” was more of an instinctive swat with his foot. If pigs flew maybe it came into contact with the gun pointing at him, it probably just disoriented the bastard and he dropped it. He had not known if the men were cops or thugs out to kill him. He did remember the surprised look on the pig’s face before he immediately turned to run away. That whole show was pointless of course, as they immediately had him pinned down on the pavement, his hands cuffed behind his back. His friends and the little ones screaming and wailing as they dragged him away. There was no point, the whole thing had been so ridiculous, if not shocking and humiliating for him, and yet he still could not bring himself to carry a gun. And yet here he was carrying one now.

He should have told himself. He should have told himself everything. He knew everything warned in the Activist’s Handbook, he knew the risks, the sacrifices. Yet he never did imagine for one minute, it would happen to him. Lord he had never expected it would be his own private war now. After all, what was his position, if not so peripheral, at best? He never conceived that he would gain prominence in his own right. It just happened. Had he been half as smart as he liked to think he was, he would have realized ahead of time that some enterprising cub journalist working his way up from the Siberia of covering anti-Globalism protests would find a sweet human interest story. A teenage boy, acting as a more vocal mouthpiece, more unabashed and vociferous than most cautious adults, for a Boston-based Socialist group, must be decent press. And off the runaway train went rolling. Suddenly, he was a big deal. He was no longer just another one of the many youth members of the league, he was now, Joseph Hayden, organizer of the people. He was the young man who toured Indian reservations, calling attention to the corporations reaping the profits of their gaming industry. He was the poor white boy who walked hand and hand with black Roxbury youth calling for improvements of their housing. He was the young man who brought a youthful face to a revived trend of Marxism, proselytizing the students of Massachusetts’s high schools with literature “inappropriate for school grounds”. And of course, his “mysterious” and “troubled” past was juicy enough: Orphan son of radical labor union organizer (worked himself to death in a meatpacking plant); raised by various Socialist activists, moved around from spots in Maine countryside, secluded New Hampshire locales, working class Massachusetts suburbs, and inner-city Boston area; A regular fixture in a “leftist cult” that was “terrorizing” Connecticut, and an instructor in “political education” courses for the commune’s children every summer. And an impenetrable “security guard” outside abortion clinics, defending the right to choose, from the fundamentalist brownshirts that terrorized the women that entered. Now public enemy # 1, and he made it all even more mysterious by his rather peripatetic lifestyle. No stranger to changing locations, when he first got wind of the constant surveillance he was under, he started keeping a system of never sleeping in the same place every two nights. He’d room with friends and members of his surrogate family all over the city. He was like Yasser Arafat, always moving from place to place. So often, that it was difficult to tail and gather a public record of him. In addition he constantly altered his social security number and the DMV numbers on driver’s licenses. He called it living off the charts, somewhat.



And then there were the three little kids. Now there was the clincher. He was rarely ever seen without the company of those three little kids, and the media loved this, the reserved nine-year-old half-brother from Seattle, and his cousins, the twin seven-year-old towheaded brother and sister, (now eight). They loved the local legend of his devotion to them, how supposedly when the twins were little two-year-olds, their mother, long gone crazy, off in the Pacific Northwest somewhere, whereabouts unknown, their father, New Hampshire native, quasi-member of World Socialist League, now completely “off the charts”, the twins now raised among the members, at eleven-years-old he made his promise to them in their cribs. His alleged words: “Your parents can’t be with you anymore, little ones. But don’t worry; you’ll always have me. I will never leave you.” And so they became his “little ones.” They loved his strict Jewish upbringing of them, how he would always have them recite the Barucha when he took them to Friendly’s or some other joint. Sometimes they could never figure out if he was trying to be their uncle or their father. Most of all they loved how he would parade them around with him, making quite a scene in their black coats and their little Che Guevara-like berets heckling outside wealthy Cambridge mansions, and Corporate buildings, chanting slogans like “a people united will never be defeated” and “power to the people” at the thoroughly annoyed rich folk. They were his appendage, always at his side, and soon enough that would be subject to a fatal exploitation. He never meant to have this new public role, it just happened. But he knew as long as the train was in motion he might as well take it for a ride, and so he exploited the position right away. And so did the government.



He began to notice what was going on, the little things at first. A few break-ins and hang-up phone calls were nothing new. They were always routine. But then when it all escalated, he knew it was all centered toward him. The bust on the street was first. Then came the rape of his friend. There was the daily brownshirt harassment of the local skinhead vermin. The drive-by shootings of headquarters’ windows emanating from unmarked cop cars. Then came the lies, the propaganda flyers, the disinformation, and the bitter rifts stoked between him and his friends. The arrests were becoming almost daily. One nuisance He noticed the charge after another. He noticed the changes he was going through too. He noticed how the pressure was slowly getting to him. The marijuana use, the blackouts, the constant mood swings. He was becoming distant, tired, burned out into an omnipresent drug-induced stupor. He could always visualize the scene of him slouching on a ratty sofa with a joint in his moth with a “Commie Fag” T-shirt on. He came to the acceptance that he could no longer rely on his hands alone, he accepted the .45 from the uncles. Then that one night, the pressure had really gotten to him. The brownshirts, (the last fuck-brains he had to worry about now), had accosted him one time too many on the street. So he gave them the scare of their life, pulling out his .45 and shooting at the lice, sending them scurrying like rats on a sinking ship. He barely even winged any one of them, all he did was give them a good scare. But it should have been no surprise later that night when he woke up to find SWAT hauling him out of bed, half naked. His ass in a courtroom again, this time, assault with a deadly. But he made bail. Just barely this time. And of course it was one more strain on the organization’s finances.

But hell finally broke loose that night in May. Those goons, those pig bastards finally did it. The squad stormed in under the cover of darkness, and they shot his baby brother. They hit him in the back. How could any one mean to kill a nine-year-old boy? Murdering Nazi pig sonsofbitches! It was supposed to be him they were after. But their intelligence was wrong that night. They didn’t know he had spent the night at another house. After all, he was always moving around. He thought Danny would be safe there. Now they had taken everything from him. He had nothing left. Nothing left to loose. Nothing. It was over.

Now he had left them. He had been gone for three months. Off the charts. Underground. Seventeen years old and on the run, knowing they were looking for him, the Boston cops and the FBI. They had covered up his brother’s death quietly. Now they were seeking him as a “person of interest” in “complicity” with this fatal shooting, still under investigation. Shacking up with friends through the network who would gladly shelter him. Moving from house to house all throughout New England, and for a few days in New Jersey, where they had burned him last. Now his trail was cold again. He was now stowed away in an old Connecticut farmhouse Freddy maintained. That one last embrace from his girlfriend and with his new baby girl for the first time, he knew would be his last. It was over. He knew he could never go back to them. He only had one mission now. One purpose. He knew what he had to do. There was nothing left to do afterwards but disappear. Driving along in Freddy’s battered old Nova, beret, sunglasses, and black coat in place, he felt the .45 tucked into his pants and clutched the automatic rifle with his free hand, the other on the steering wheel. He was approaching Massachusetts. He knew both the car, and the guns were registered in Freddy’s name. He knew they would immediately lead back to him, but Freddy was in deep enough shit as it was, so he really didn’t care. Besides he was too consumed with hatred and revenge at the time anyway…

Sunday, October 21, 2007

Joe Lehman Quagmire pt. 1 12/3/02






Joe Lehman

Quagmire pt. 1 12/3/02









He held tight to the gun.

Clutching it for dear life, he crouched in the shadows.

His body tensing, ready to jump at any pin drop, trigger finger itching to unload the rapid magazine burst of a worker’s fury.

This must be what guerrilla warfare is really like, he thought.

The room was blanketed in the cold, shivering darkness.

It was as though the window had no effect at all, the bright light and cool brisk mountain air did not exist once it reached the doors and windows of the cabin.

He kept deathly still. Under cover of darkness, his senses trained to enhancement five times beyond what they once were.

His body, a quivering piece of jelly, he had always taken such pride in proper care for it. Now it was garbage, his bones brittle, his skin a pasty malnourished yellow, longing for a taste of the rejuvenating sunlight it missed so much.

His eyes were an empty pool of blackness, like he had not had a moment of refreshing sleep in weeks.

His stubble growing ragged like an unkempt hermit, and his hair, where it was once a wave of sandy blond, now a greasy mound of slime and dirt.

He was now dead to every form of emotion.

Only vengeance remained the force left driving him to stay alive.

It was the vengeance of a brother, torn from his flesh by the murdering arm of law enforcement.

His last resolve was to strike back, cast a dagger into the heart of the great oppressor.

Slowly he was deteriorating to waste they had all wanted him to be.

Now they had gotten their wish.

Hounded, beaten like an animal, he could only hide for such a long time.

Lost in a jungle of voices, the whole world playing in his head like a clock radio that could not be unplugged.

While his body was frozen, in his mind he was on the ground on all fours scavenging for bits of broken pieces with numbing desperation.

The pathetic whimpering expected of a dog, reducing to a worthless derelict piece of human refuse.
But that’s what’s expected now.

This was what he had always wanted.

He was finally underground.

Suddenly the silence was broken.

The creaking, tapping sound emanating from outside the doorway unearthed him, but did not shake him from his position.
Slowly, he braced himself.

Pursing his lips, clenching his teeth, his body tensed even more.
The fury was pulsating his breath.

Ready to aim high and squeeze the trigger with all his might.
Then a he heard a whisper.

He’d recognize it anywhere; the sweet maiden seventeen-year-old voice that had soothed him for so long on the days when it seemed like it was all worth nothing. That nothing he worked for ever mattered.

That voice was calling out his name.

But he did not relax.

His hands clutched the weapon even tighter. His body tensed further, but his breathing was at a greater trembling than he had ever experienced.

Slowly, the door opened; a creak, then some more.

He didn’t move. He couldn’t move a muscle.

He saw her enter the room slowly; everything was a blur, like it wasn’t real.

She moved closer and closer to him, and he couldn’t move.

His face remained the same hopeless, drooling figure with the dark, empty stare, it was.

As she came closer through the shadows, that voice called out his name again.

She was carrying something in her arms. He could not see it, for he was looking straight ahead without eye contact.

He thought he heard her say, it’s me, I’m here.

Was right there before him now, and he still looked straight ahead.

She could barely muster the words. He could barely make out any of what she was saying.

He heard her say you can’t go on like this.

Nothing could get through. His face was still a paragon of hopelessness.

A spot of drool built up at his lips. She brought out a handkerchief with her free hand and dabbed at his face. His face didn’t change. He was comatose. Nothing could get through.

Tears were streaming down her face, now they were beginning to stream down his.

She held up the bundle in her hand.

Wrapped in a blanket he could hear a cooing sound, a gurgle, and then a tiny voice. Unwittingly his eyes darted toward the bundle for a second.

It was there he saw the little round face, the eyes wandering around the room and up at him, with the innocent curiosity only a newborn would possess. The little thing looked as though it was wondering where it was.

He could smell the clean aroma of its soft white skin, the kind of cleanliness only a newborn has when it is still impervious to the evils of the world around it.

He heard her say this is your daughter.

Everything that happened next happened without him even realizing it.

For the first time, his lip curled up the way it would when he would normally smile.

He heard himself muster a sound lodged in his throat, a weak, infantile grunt.

You see, she has your eyes, heard her tell him.

He looked up at her with an imploring stare. His eyes like those of a child to helpless to care for itself, begging to be fed.

His arm weakly extended toward her.

The next thing he knew, he had dropped the gun.

Nervously she placed the baby in his arm.

He gently held the child close to his heart with what little strength he had.

The tears were still few, but were beginning to stream down.

He held the child tight and the cold world opened up like the blossoming of a flower.

At last something in there melted.

Saturday, October 20, 2007


I will flesh out my critique of W.H. Auden's classic poem in the near future. I intend to tie it to the subject matter of my posts preceding it and to various current events I am monitering. Unfortunately, due to the limitations my present mental state has laid upon me, I have not the energy to do so at this very moment. The critique, thus far, is short and contributes no new ideas. Please bear with me, it is my goal to offer material that is more to the best of my abilities. I am frustrated and ashamed that I have been impaired.

Featured Poem:

Musee des Beaux Arts
by W.H. Auden

About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.



If there is one poem that conveys the message of W.H. Auden’s passion for oppressed people absolutely clearly and without any distortion, it is probably Musée des Beaux Arts. Unlike a Spain 1937, or even a September 1, 1939, with their lengthy facility with words, Musée succeeds simply in its succinctness. The poem’s brevity, its ability to come to its point in just a few short allusions leave the reader with a searing indictment of what Auden sees as man’s indifference to the suffering of his fellow man. From the opening line there is little chance the reader should be confused about where Auden is leading. He does not, to use a cliched term, “beat around the bush.”

Auden initially sets the poem from the point of few of the gods, most likely those of Ancient Greece and Rome. This is evidenced in the quotes, “about suffering they [italics mine] were never wrong,” and, “the Old Masters: how well they understood its human position; how it takes place while someone else is eating or opening a window or just walking dully along.” The “Old Masters” implies gods of old. There is hardly a tale involving classic gods that does not tell of acts of foolishness on the part of mortals in comparison to the gods’ all-knowing judgement. Auden does not expect that human beings should have the maturity to recognize their fellows’ suffering and raise a hand in assistance. He leaves expectations of understanding to the gods. Gods understood suffering, its “human position,”—i.e., the randomness of its occurrence.

To give an example of randomness of suffering, Auden presents a situation with the potential for bringing about suffering: children skating on a frozen pond, where they might fall through the ice. Swiftness and lack of warning are signs of great tragedy in literature. The best and most frightening stories begin with scenes of innocence only to be suddenly interrupted by tragedy. For tragedy to strike a character in the act of recreation is to catch the reader off guard. The image of children at play over a frozen pond works to this effect. The use of children as victims taps into the readers’ emotional vein.

Auden’s strategy is to induce the reader into identifying with the ignorant humans he addresses. Their fault and the reader’s fault are one and the same. He means to play to the readers’ guilt for having allowed the tragedy to occur. He reminds the readers of how their comfortable bourgeois lives will go on long after their fellow man is befallen by tragedy. Hence, “anyhow in a corner, some untidy spot where the dogs go on with their doggy life and the torturer’s horse scratches its innocent behind on a tree.” The reference to the simple routines of animals and their bodily functions is meant to represent people’s trivial pursuits in their everyday existence. Like the dog living its “doggy life” and the horse scratching its behind on a tree, human beings live off the fat of the land without contribution.

The strong point of the poem that is the most inspired of Auden is his use of the Brueghel painting The Fall of Icarus. Icarus is in essence, the visual counterpart to Musée’s subjective association. As Auden describes it, the painting depicts the people’s inaction as Icarus is plummeting down to earth. The world is apathetic to Icarus’s plight. Auden is wise to draw the connection to Brueghel’s painting. It is as if both Auden and Brueghel are illustrating the same message. Indeed, the poem is a tribute to Brueghel, as it is revealed in the footnotes that Icarus is located in the museum of the poem’s title, the Musée des Beaux Arts.

It is the irony of this poem that Auden is trying to reach his readers with an appeal to their emotions and their sense of guilt and compassion in order to preach the point to them that he believes they have no sense of compassion. He is essentially counting on their lack of apathy in order to get their attention and tell them they are apathetic. This is not a flaw in the poem; rather it can be viewed positively. The poem becomes a call for reforming the human character.